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La Sufricaya

La Sufricaya
Gallery

Stela 5
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It is a mid size site dating from Late Preclassic 300 BC to Early
Classic 450 AD, located 1.2 Km. west of
Holmul, Thought to be the Holmul's Elite residential area. It is composed of various
residential groups around a principal platform of eleven meters. La Sufricaya Stela 1 and the fragmentary
Stela 2 have Early Classic
characteristics. Stela 5 bears a date of 8.19.6.8.5, 8 Chicchan 3
Xul (AD 422). there are 3
Chultunes, 11 documented Stelas to date,
and 120 Structures, the investigations are uncovering more data each
season.
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Site
map with Stelas location |
Its most
important building is structure I, with its
mural paintings, dating from
the early classic period, in room 1 named Mural 1 and 3, that are quite
unique because they are in square boxes, and represent the ascending of
a ruler attended by Tikal rulers, others think that might be Teotihuacán
rulers. Due to the resemblance of this Codex to the post classic Mixtec
and Aztec codex, but the ones in La Sufricaya and the colors are Typical
of Early Classic Maya codex style as we know from other early sites such as
Mirador.
The room 2
murals 4-7 is also C shaped, as the room 1, with an opening to the
South, and
Stucco painted in its southern wall 12 mt. long and 2 mt
High, there are also murals documented there, the eastern half of the
mural presented a much more complex iconography.
The composition is centered on a seated individual, whose
body is painted in yellow. His arms are tied by large bows to
vertical posts of what appears to be a scaffold placed on a bench.
He wears a simple loincloth and a belt with a serpent or turtle head
at the right end. A white cape seems to be draped over his
shoulders. In front of this figure is what appears to be a
lip-to-lip pottery cache or a bundle. To the right is a kneeling
figure, also painted in yellow, with hands stretched out towards the
central figure. The hands seem to support an offering of sort (in
black, possibly a headdress). Further to the right is a standing
frontal figure wearing a red and black beaded pectoral with long
black fringes draped on his chest. On the opposite side, to the left
of the central figure is another kneeling figure, poorly preserved
and possibly a mirror image of the first one, also bearing an offer
to the main character. Further outward, to the left, is a standing
figure in profile. The face of this personage is painted in red and
black, and a shell disk or mirror is visible in the chest area, Much
of the rest of the composition is eroded away or buried under
calcium concretions rendering further identifications difficult.
However, it is likely that the multispectral imaging and
conservation treatment of the painted stucco will help reveal
further detail of this unique mural, at least 7 murals have been found, another feature is the
Painted
Stucco in some residential areas that are just being investigated.
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