Piedras Negras

Piedras Negras Gallery
Piedras
Negras is the modern name for the largest Maya
Kingdom in the
Usumacinta River area, located on the north bank of
the Usumacinta River and surrounded by several sites, on the
Sierra
del
Lacandón National
Park in western Petén,
Guatemala. It is also the largest Maya site to the west of
Tikal, including Palenque. The name
"Piedras Negras" that means "Black Stones", was given due
to the color of the stones used in this site. Its ancient
name was Yo’ki’b ("Great Gateway" or "The Entrance").
Due to the largest
Cenote (sinkhole), in
Mesoamerica,
it is some 120 m, in diameter and 100 m, deep, now dry, recently discovered near this site.
There
is a group of persons that associate this site as the place were the
people from Atlantis hide its knowledge documents. (Based in
Edgar
Cayce's readings, which indicated that Piedras Negras was the location
of an Atlantean Hall of Records placed there around 10,000 B.C. see:
http://www.mysterious-america.net.
Some authors think that the name is
Paw Stone, but is more likely to
be the name of the founder as hieroglyphs on Throne 1 and altar 4
shows. In its texts, they
mention strong ties with the
Hix Witz Polity, now known to be the
cities of
La Joyanca,
Pajaral
and
Zapote Bobal, as well as
Waka', along the
San Pedro river, controlling the two main commerce routes: The
Usumacinta and the San Pedro
rivers
drainage. Its Emblem Glyph have been documented at several
important Maya sites, including
Tikal
Piedras
Negras is one of the largest
Classic Maya sites, but its becoming a
new Lost City, hardly some scholars and adventurous tourist visit
it. The Site seems
to have been an independent city-state for most
of the Classic Period, although sometimes in alliance with other
states of the region.
Ceramics shows
that the site was occupied from 700
BC to 850 AD, Middle Preclassic ceramics (ca 600-400 B.C.) are rare
within the center, often located as
pockets on the bedrock in the South
Group. Architecture from this period includes the first known public
buildings with the erection of a modest platform (R-32) and a small
public building on it with squared facing stones and a polished stucco
floor (R-3-3rd). Late Preclassic (400 B.C.-100 A.D.) material is also
sparse within the center, and in the regions round about. This gives the
impression of the continuance of a modest village with little growth.
R-3 continues as a public structure and is elevated to a height of 3
meters, showing that there was some concern at Piedras Negras with
constructing public buildings, and perhaps a forerunner to monumental
display. During the Classic, Piedras Negras had at least 7 sweat baths
for ceremonial
and medical
uses.
|

K5 Temple |

Piedras Negras
Central Area Site Map |

Sweatbath Str P 7 |

Acrópolis (Proskuriakoff) |

Jaguar
bird St3
Ruler Names from Piedras Negras
The difficulty with reconstructing life during this period
corresponds to the paucity of remains as only a few areas within the
center have ceramics from Preclassic periods. Early Classic (ca. A.D.
250-550) settlement began with the same village feel, but ends with
monumental architecture already in place. Monumental architecture during
the end of this period takes advantage of natural hillsides to provide
structure behind the façades of buildings faced with large
regular
stones and well-plastered floors. Most buildings show a single large
construction episode with a few subsequent minor additions. The end of
this period also marks the emergence of history at Piedras Negras with
the advent of named lords in the inscriptions but its most impressive period of sculpture and
architecture dated from about 608 through 810, although there is
some evidence that Piedras Negras was already a city of some
importance since 400 AD. The extensive ruins of Piedras Negras have
been classified into three
architectural units: the west group
atop a hill, (site of the main Acropolis), the east group and the south
group. The structures
of these groups are all situated around open plazas and consist of
typical Maya monuments: temple-pyramids, 2
ball courts and 7 sweat baths,
including one in a cave. There
are some stone spheres foot to two feet in diameter,
similar to the ones found in Costa Rica.
The
artistry of the sculpture of the late
classic period of Piedras Negras is considered particularly fine,
and the most sophisticated in the
Maya Culture.
The site has 2
ball courts and several Plazas, there are
Vaulted
Palaces and Temple Pyramids, including one that is connected to one
of the many
caves in the site. A unique feature of the monuments at Piedras Negras is the frequent occurrence of the so-called "artists'
signatures". Individual artists have been identified by the use of
recurring glyphs on stelas and other relief. In the U-group two
households are remarkable,. One appears to be the residence of the
master carver under Ruler 7; and the other, a small household that might
have specialized in the production of lithic tools, mainly
obsidian
imported from El Chayal, near
Kaminal Juyú, and
Amate
bark paper.
Warfare mainly
with Yaxchilan to the south, have been documented.
Along the banks of the
Usumacinta
river is a
large boulder with the emblem glyph of Yo’ki’b ( Piedras Negras),
carved on it and facing skyward, This city had the dominance in the
commerce route in the Usumacinta Basin.

Emblem Glyph
Before the
site
was abandoned, some monuments were deliberately damaged,
including images and glyphs of rulers defaced, but images and glyphs
of deities left intact, suggesting a revolt or conquest by people
literate in Maya writing. Little is known of the early dynastic
rulers of Piedras Negras, except through several well preserved
monuments and sculptured inscriptions on various Stelas that
provided key evidence. The noted Russian scholar, Tatiana Proskouriakoff (1909-1985), studied and illustrated Piedras Negras
in depth, She indeed broke the complex code of
Maya writing here,
in 1950. She was buried there in the F group, a plaque in her honor
shows her tomb.